Sep 29, 2009

La Bella Simonetta, It Girl of the Renaissance: Botticelli's Venus and the Medici's Golden Age of Florence, Italy

By: Pamela Livingston

Jul 14, 2009

Judith Slaying Holofernes: A Painting by Artemesia Gentileschi

By: Maria Olaguera

Jul 6, 2009

The Enigma of Da Vinci's The Virgin of the Rocks: Exploring the Mystery of Leonardo Da Vinci’s Famous Painting

By: Peter John Shearing

May 21, 2009

Artists and Fame - Albrecht Dürer: Professional Reputation of Artists in the 15th Century

By: Zuzana Minarikova

May 20, 2009

Artists and Fame - Ambrogio Lorenzetti: Professional Reputation of Artists in the 14th Century

By: Zuzana Minarikova

May 13, 2009

First Art Historians: Ghiberti and Vasari: Art Historical Writing in Renaissance and Foundations of Art History

By: Zuzana Minarikova

Mar 16, 2009

The Agony and the Ecstasy – A Review: On Michelangelo's Commission to Paint the Sistine Chapel Frescoes

By: Marc Zeale

Feb 14, 2009

Female Portraits in Renaissance Art: A Critical Review of Patricia Simons' Essay, "Women in Frames ..."

By: Shannon Leigh O'Neil

Aug 29, 2008

Renaissance Artisans and Scholar Frederick Hartt: Essay on Art and Freedom in Quattrocento Florence

By: Stephanie Cox

Aug 29, 2008

Renaissance Mystery: Masaccio Paintings: Scholar Douglas Preston Explores “The Madonna Puzzle”

By: Stephanie Cox

Aug 13, 2008

Renaissance Art: Hans Holbein's The Ambassadors: Renaissance Scholar Jeremy Brotten on Holbein Painting

By: Stephanie Cox

Aug 13, 2008

Hans Holbein's The Ambassadors: Anamorphic Renaissance Art Analyzed by Stephen Greenblatt

By: Stephanie Cox

Jul 15, 2008

Renaissance Paintings of Christ on the Cross: Evolution of Crucifixes from Ducento to Quattrocento Italy

By: Stephanie Cox

Jun 30, 2008

Raphael's School of Athens Painting: Italian Artist's Work Paints a Portrait of the Renaissance

By: Stephanie Cox

Jun 30, 2008

Renaissance Painting of Baptism of Christ: Leonardo da Vinci and Verrocchio's Masterpiece

By: Stephanie Cox

May 22, 2008

About Michelangelo's Nose: The Sculptor's Broken Nose and Its Effect on His Life and Art

By: George Stephen Murray

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